Department of History

Permanent URI for this community

https://scholar.sun.ac.za/handle/10019.1/50

Browse

Browsing Department of History by browse.metadata.advisor "Bickford-Smith, Vivian"

Now showing 1 - 2 of 2
  • Thumbnail Image
    Item
    Reflections in a broken mirror : a cinematic exploration of Afrikaans theatre post-apartheid, c. 1984–2022
    (Stellenbosch : Stellenbosch University, 2023-03) Fox-Martin, Amber Dawn; Bickford-Smith, Vivian; Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of History.
    ENGLISH SUMMARY : The documentary-thesis, Reflections in a broken mirror, uses the medium of film to explore Afrikaans theatre history from 1984 to 2022. More specifically, this research defines and investigates a sub-genre of Afrikaans theatre that bears the following traits: engaging, cathartic, self-reflective, existential and boundary-pushing. Exploring theatre history through documentary film methodology is underutilised, moreover, this research proposes that the visual storytelling medium of theatre is best represented through film. The central question driving the film asks how this genre of Afrikaans theatre survived and adapted to a post-Apartheid South Africa. Reflections in a broken mirror explores theatre’s role in capturing the zeitgeist of different periods. While existing research has investigated broader trends in Afrikaans theatre post-1994 and the Afrikaans theatre festivals, these dissertations end their analyses between 2003 and 2006, leaving the subsequent period unchartered. Film sequences present case studies by combining archival sources with interviews to capture the historical moment of each case study. The key theatre productions explored in the film are TRITS (Mis, Mirakel, Drif) (1992–1994), Donkerland (1996), Drie Susters, Twee (1997), Boklied (1998), Ek, Anna van Wyk (1999), Aars! (2001), Saad (2007), Ons vir Jou (2008), Sakrament (2009), Die kortsondige raklewe van Anastasia W. (2010), and Balbesit (2013). Three generations of theatre makers emerged in this study. The first generation operated within the apartheid state-funded infrastructure between the 1970s and 1990s and were referenced in the preceding study, A Feast in Time of Plague. The second generation emerged as creators during the period of transition between the 1980s and 1990s. The third generation emerged at the turn of the century, creating work in the 2000s. The film notes that this sub-genre of theatre has experienced existential struggles throughout each period, with a recent decline in industry infrastructure after 2013. This study concludes that the methodological practice of documentary filmmaking is effective when exploring theatre history, due to the correlations between both storytelling mediums.
  • Thumbnail Image
    Item
    Work, wedlock and widows : comparing the lives of coloured and white women in Cape Town, 1900–1960
    (Stellenbosch : Stellenbosch University, 2022-12) Rommelspacher, Amy Fairbairn; Fourie, Johan; Bickford-Smith, Vivian; Inwood, Kris; Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of History.
    ENGLISH ABSTRACT: This dissertation explores the lives of coloured* and white women in Cape Town from 1900 to 1960. This period includes the South African War, the formation of the Union, white women obtaining the vote, the two World Wars and the formalisation of apartheid. The comparison is appropriate because the population sizes of the two groups were similar – and there were many other social and cultural similarities, from language to religion. One important difference is that while white women have received some academic attention in South African history, coloured women have not. This work aims to fill the gap. I do so using sources such as a household survey and marriage records in order to understand their position in society. Themes that are investigated include marriage age, employment trends, family structures, living standards, wages and the gender wage gap, to name a few. Although these topics might seem disparate, they are all aspects of women’s lives that have been identified as important factors in understanding women’s agency within a society. Amartya Sen and Martha Nussbaum have argued that these aspects of women’s lives, such as whether or not they are employed in paid labour, play a pivotal role in their own position in society as well as that society as a whole. Ultimately, my purpose is to study the factors that shaped the lives of coloured and white women in early twentieth-century Cape Town. In other parts of the world these aspects of women’s lives have been investigated by historians in much detail, but women’s history in South Africa has been marked by different concerns and approaches. When South African scholars first turned their attention to women’s history, the country was in political turmoil amidst the apartheid regime; this set the tone in the field for decades. This thesis focuses on the history of coloured and white women in South Africa by asking new questions and adopting new approaches to answer them. While the subject is no longer neglected in South Africa, there are areas of women’s history and approaches to the field that have been overlooked. Women’s history has been limited by the availability of sources – and these sources usually focus on specific aspects of women’s lives, such as their involvement in political organisations or events. Often, though, we lack a basic understanding of women’s social lives. This has forced historians to make assumptions; assumptions that I am able to test with new evidence. This dissertation therefore challenges some ideas that have been expressed in existing historiography. One such idea, for example, is that all white households employed domestic servants in South African history. New sources and approaches show that this was simply not the case. This dissertation also provides significant information on wages – something that is severely under-researched in South African history. This wage information is used in this thesis to determine the nature of women’s work in Cape Town, to understand race and gender wage gaps and to ascertain whether Cape Town was a male-breadwinner society. Interdisciplinary methods and new ways of using source material now provide the opportunity to study hidden aspects of women’s lives that have been disregarded. These new approaches can challenge past assumptions and shed light on new questions.