The depiction of the literary figure of the Great Harlotin Revelation17and 18is a poignant expression of the wider New Testamentapocalyptic concern withGod’s power over humanity and creation. The depiction portrays what is deemedrequisite social control through and over women’s bodies,andin a particularly poignant way,inthat of the Great Harlot.This essayexplores how a neglected element, namely the Harlot’s womb is tenuously present and,alongsidedivine power,is eschatologically positioned and apocalyptically framed in Revelation17-18, while exploring its intersections with the violence generated within a gendered context andthrough the posturing of authorita-rian political and social regimes